Books

Gonzalves, Theodore S. (editor), Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects (Washington, D.C.: Smithsonian Books, 2023).

Gonzalves, Theodore S., and A. Samson Manalo (editors), Gossip, Sex, and the End of the World: Collected Works of tongue in A mood (San Francisco: Arkipelago Books, 2021).

Gonzalves, Theodore S., Karen Tongson, R. Zamora Linmark, and Sarita Echavez See, Migrant Musicians: Filipino Entertainers and the Work of Music Making (Davis: Center for Art and Thought, 2013).

Gonzalves, Theodore S. (editor), Carlos Villa and the Integrity of Spaces (San Francisco: Meritage Press, 2011).

Gonzalves, Theodore S., and Roderick N. Labrador, Filipinos in Hawaiʻi (Mt. Pleasant: Arcadia Publishing, 2011).

Gonzalves, Theodore S., The Day the Dancers Stayed: Performing in the Filipino/American Diaspora (Philadelphia: Temple University Press, 2010).

Gonzalves, Theodore S. (editor), Stage Presence: Conversations with Filipino American Performing Artists (San Francisco: Meritage Press, 2007).

Book chapters

Gonzalves, Theodore S., “Forgetting Empire, Remembering Resistance,” in 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific, edited by Taína Caragol and Kate Clarke Lemay (Princeton: Princeton University Press, 2023), pp. 120-123.

Gonzalves, Theodore S., “Repertoires on Other Stages,” in Filipinx American Studies: Reckoning, Reclamation, Transformation, edited by Rick Bonus and Antonio Tiongson, Jr. (New York: Fordham University Press, 2022), pp. 308-319.

Gonzalves, Theodore S., “Villa’s Fake Book,” in Carlos Villa: Worlds in Collision, edited by Mark Johnson, Trisha Lagaso Goldberg, and Sherwin Rio (San Francisco and Berkeley: Asian Art Museum, San Francisco Art Institute, and University of California Press, 2021), pp. 77-85.

Gonzalves, Theodore S., “Red Door: Bindlestiff Studio,” in Our Culture Resounds, Our Future Reveals: A Legacy of Filipino American Performing Arts in California, edited by Eleanor Lipat-Chesler and Mary Talusan (Culver City, Los Angeles, and Sacramento: Ube Arte, UCLA Herb Albert School of Music, and California Revealed, 2020), pp. 198-202.

Gonzalves, Theodore S., “Document | 101,” in Alimatuan: The Emerging Artist as American Filipino, edited by Michael Rooks (Honolulu: The Contemporary Museum, 2006), pp. 18-22.

Gonzalves, Theodore S., “On the Politics of (Filipino) Youth Culture,” in Positively No Filipinos Allowed: Building Communities and Discourse, edited by Antonio Tiongson, Ric Gutierrez and Ed Gutierrez (Philadelphia: Temple University Press, 2006), pp. 111-123.

Gonzalves, Theodore S., “Theaters of Operation: Theorizing Filipino American Performance, National Identity and Community,” in Towards a Cultural Community: Identity, Education and Stewardship in Filipino American Performing Arts, edited by Reme A. Grefalda, Lucy M. Burns, and Anna M. Alves (Washington, D.C.: Firstfruits, 2003), pp. 39-50.

Gonzalves, Theodore S., “Filipino Veterans of World War II on Citizenship and Political Obligation,” in Major Problems in Asian American History: Documents and Essays, edited by Lon Kurashige, Alice Yang Murray and Thomas G. Paterson (New York: Houghton Mifflin, 2003), pp. 304-310.

Gonzalves, Theodore S., “’Unashamed to be so beautiful’: An Interview with Celine Salazar Parreñas,” in Countervisions: Asian American Film Criticism, edited by Sandra Liu and Darrell Hamamoto (Philadelphia: Temple University Press, 2000), pp. 263-274.

Gonzalves, Theodore S., “The Day the Dancers Stayed: Expressive Forms of Culture in the United States,” in Filipino Americans: Transformations and Identities, edited by Maria P. P. Root (Thousand Oaks: Sage Publications, 1997), pp. 163-182.

Gonzalves, Theodore S., “Filipinos?” in Memories of Overdevelopment: Philippine Diaspora in Contemporary Art, edited by Catherine Lord (Winnipeg: Plug-In Editions, 1997), pp. 50-81.

Journal articles

Gonzalves, Theodore S., “Banner,” Amerasia Journal 46.3 (2020): 284-286.

Gonzalves, Theodore S., “Island Girl in a Rock-and-Roll World: An Interview with June Millington” (with Gayle Wald), Journal of Popular Music Studies 31.1 (March 2019): 15-28.

Gonzalves, Theodore S., “Joe Bataan on Heavy Rotation: Studying the Repertoire of a Mixed-race Composer,” CUNY Forum 4.1 (Fall 2016-Winter 2017): 23-36.

Gonzalves, Theodore S., “Remembering Rolling the R’s,” The Asian American Literary Review 7.1 (Spring 2016): 5-6.

Gonzalves, Theodore S., “The Day the Dancers Stayed: Expressive Forms of Culture in the United States,” Kritika Kultura 6 (November 2005): 24-41.

Gonzalves, Theodore S., “Dancing Into Oblivion: The Pilipino Cultural Night and the Narration of Contemporary Filipino/a America,” Kritika Kultura 6 (November 2005): 42-85.

Gonzalves, Theodore S., “Two-Part Invention: A Response,” Kritika Kultura 6 (November 2005): 97-100.

Gonzalves, Theodore S., “When the Walls Speak a Nation: Contemporary Murals and the Narration of Filipina/o America,” The Journal of Asian American Studies 1.1 (1998):31-63.

Gonzalves, Theodore S., Josh Kun, and Elizabeth H. Pisares, “Sounds Like 1996: An Annotated Take-Out Menu of Recent Asian American Music,” Hitting Critical Mass: A Journal of Asian American Cultural Criticism 3.1 (Fall 1997): 49-60.

Gonzalves, Theodore S., “’We hold a neatly folded hope’: Filipino American Veterans of World War II on Citizenship and Political Obligation,” Amerasia Journal 21.3 (Fall 1995): 155-74.

Gonzalves, Theodore S., “’The show must go on’: Production Notes on the Pilipino Cultural Night,” Critical Mass: A Journal of Asian American Cultural Criticism 2.2 (Spring 1995): 129-44.

Reference & encyclopedia entries

Gonzalves, Theodore S., “Protest of the Association for Asian American Studies Award to Blu’s Hanging,” in The SAGE Encyclopedia of Filipina/x/o American Studies, edited by Kevin Nadal, Allyson Tintiangco-Cubales, and E.J.R. David (Thousand Oaks: SAGE Publications, 2022), pp. 780-782.

Gonzalves, Theodore S., “Miss Representation,” in Entertainment Nation: How Music, Television, Film, Sports, and Theater Shaped the United States (exhibit catalog), edited by Kenneth Cohen and John Troutman (Washington, D.C.: Smithsonian Books, 2022), pp. 90-94.

Gonzalves, Theodore S., “Prince’s Guitar,” in Entertainment Nation: How Music, Television, Film, Sports, and Theater Shaped the United States (exhibit catalog), edited by Kenneth Cohen and John Troutman (Washington, D.C.: Smithsonian Books, 2022), pp. 102-103.

Gonzalves, Theodore S., “What’s So Funny?” in Entertainment Nation: How Music, Television, Film, Sports, and Theater Shaped the United States (exhibit catalog), edited by Kenneth Cohen and John Troutman (Washington, D.C.: Smithsonian Books, 2022), pp. 130-131.

Gonzalves, Theodore S., “Filipino American Youth Cultures,” in Asian Americans: An Encyclopedia of Social, Cultural, and Political History, edited by Xiaojian Zhao and Edward J.W. Park (New York: ABC-CLIO/Greenwood, 2014), pp. 393-398.

Gonzalves, Theodore S., “Pilipino Cultural Night,” in Asian Americans: An Encyclopedia of Social, Cultural, and Political History, edited by Xiaojian Zhao and Edward J.W. Park (New York: ABC-CLIO/Greenwood, 2014), pp. 930-931.

Gonzalves, Theodore S., “Ermena Marlene Vinluan,” in Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook, edited by Miles Xian Liu (Westport: Greenwood Press, 2002), pp. 340-346.

Reviews (book and exhibit)

Gonzalves, Theodore S., “Refocusing Ethnographic Museums Through Oceanic Lenses” by Philipp Schorch et al, in the International Journal of Heritage Studies (August 2020).

Gonzalves, Theodore S., “Musical Renderings of the Philippine Nation,” by Christi Ann Castro, in Asian Music 44.1 (Winter/Spring 2013): 146-151.

Gonzalves, Theodore S., “Toward Filipino Self-Determination: Beyond Transnational Globalization,” by E. San Juan, Jr., in the Journal of American Ethnic History 32.1 (Fall 2012): 126-128.

Gonzalves, Theodore S., “The Decolonized Eye: Filipino American Art and Performance,” by Sarita See, in the Journal of Asian American Studies 14.1 (February 2011): 160-163.

Gonzalves, Theodore S., “Home Bound: Filipino American Lives Across Cultures, Communities, and Countries,” by Yen Le Espiritu, in the Journal of American Ethnic History 23.2 (Winter 2004): 102-103.

Gonzalves, Theodore S., “Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines,” by Jose Buenconsejo, in The Yearbook for Traditional Music (2003), pp. 209-211.

Gonzalves, Theodore S., “Manuel Ocampo Won’t Let Me Sleep; Manuel Ocampo’s ‘Free Aesthetic Pleasure Now!’” Filipinas Magazine (January 2002), 21-23.

Gonzalves, Theodore S., “Disaster Suits You: Yanobe at Pusod,” Call of Nature 2 (Fall 2000): 4-5.

Gonzalves, Theodore S., “The Theater in Manila, 1846-1946,” by Christina Laconico-Buenaventura, in Pilipinas: A Journal of Philippine Studies 33 (1999): 144-146.

Gonzalves, Theodore S., “This Code Before Us: Carlos Villa at the Treganza,” exhibit program (San Francisco: Tenazas Design, 1998).

Gonzalves, Theodore S., “Memories of Overdevelopment: Philippine Diaspora in Contemporary Art – Symposium and Exhibition,” Godzilla West (Fall 1996): 6-7.

Other media

Gonzalves, Theodore S., “How a 1924 Immigration Act Laid the Groundwork for Japanese American Incarceration,” Smithsonian Magazine, February 16, 2024.

Gonzalves, Theodore S., and Ryan Lintelman, “Anna May Wong, Chinese American Film Star, Dealt With Racism and Stereotypes,” Teen Vogue, May 24, 2023.

Gonzalves, Theodore S., “The history behind Julian “Cannonball” Adderley’s saxophone,” O Say Can You See? Stories from the National Museum of American History (blog post), April 3, 2023.

Gonzalves, Theodore S., “Foreword,” in We Are Here: 30 Inspiring Asian Americans and Pacific Islanders Who Have Shaped the United States (Philadelphia: Running Press, 2022), pp. iv-v.

Gonzalves, Theodore S., “Beckoning: A Playlist of AAPI Joy, Sorrow, Rage and Resistance," with Sojin Kim, Lawrence-Minh Bui Davis, Deborah Wong, and Richie Traktivist, Smithsonian Magazine, May 14, 2021.

Gonzalves, Theodore S., “How Barbara Dane Carries a Proud Tradition of Singing Truth to Power,” Smithsonian Magazine, March 8, 2021. Reprinted from “Barbara Dane’s One-Woman Riot,” Folklife, February 12, 2018.

Gonzalves, Theodore S., "RPM: Revolutions Per Movement," Smithsonian Folkways Recordings: Paredon Records, web page, 2021.

Gonzalves, Theodore S., "How a New Show Tears Down the Myths of Asian American History," Smithsonian Magazine, May 26, 2020.

Gonzalves, Theodore S., “The Mock Battle that Ended the Spanish-American War,” O Say Can You See? Stories from the National Museum of American History (blog post), December 18, 2018.

Gonzalves, Theodore S., “Jon Irabagon’s Unchartered Funhouse-Mirrored Elysium,” International Examiner 45.9 (May 16-June 5, 2018), p. 5.

Gonzalves, Theodore S., “Barbara Dane’s One-Woman Riot,” Folklife, February 12, 2018.

Gonzalves, Theodore S., “Amigo: Discussion Guide,” Amigo. Dir. John Sayles, 2012. DVD.

Gonzalves, Theodore S., “To Turn by Gifts,” Hypen Magazine, June 17, 2011.

Gonzalves, Theodore S., “Leaving Soul Shadows On My Mind,” Filipinas Magazine 18.209 (September 2009): 11.

Gonzalves, Theodore S., “It’s Our Time,” Filipinas Magazine 17.196 (August 2008): 26-27.

Gonzalves, Theodore S., “An Interview with Carlos Zialcita,” Filipinas Magazine 17.196 (August 2008): 27.

Gonzalves, Theodore S., “This next song is for everybody that loves me! Listening to Juan de la Cruz,” Our Own Voice Literary Ezine: Filipinos in the Diaspora (December 2005).

Gonzalves, Theodore S., “Apocalypse Now and Then,” AsianWeek, August 13, 2004.

Gonzalves, Theodore S., “Novemberly Liner Notes,” Our Own Voice Literary Ezine: Filipinos in the Diaspora (July 2004).

Gonzalves, Theodore S., “Theaters of Operation: Theorizing Filipino American Performance, National Identity and Community,” an essay commissioned by the Ford Foundation and the National Federation of Filipino American Associations, 2002.

Gonzalves, Theodore S., “Organik Travels: Filipino Music and Dance Between Batangas and San Francisco,” Call of Nature 3 (Winter 2001): 5-7.

Gonzalves, Theodore S., “Two Brothers Touching: Carlos Villa and Santiago Bose Explore Ritual and Myth Through Workshops and Exhibition,” Call of Nature 2 (Fall 2000): 14-15.

Gonzalves, Theodore S., “This Music is America,” in Fil-Am, edited by Alfred A. Yuson and Eric Gamalinda (Publico, Inc., 1999), pp. 166-168.

Gonzalves, Theodore S., “To Dig: The Sound of Soul in America,” Performing Arts (John Anson Ford Amphitheater program), (July 1998): 8-11.

Gonzalves, Theodore S., “Preface,” in Liwanag Volume II: A Journal of Literary and Graphic Expression, edited by Debra Belale, et al (San Francisco: Liwanag Publications, 1993), vi-vii.

Gonzalves, Theodore S., “Taxi Dancing,” in Liwanag Volume II: A Journal of Literary and Graphic Expression, edited by Debra Belale, et al (San Francisco: Liwanag Publications, 1993), 84-90.