"Document | 101,” in Alimatuan: The Emerging Artist
as American Filipino, edited by Michael Rooks (Honolulu:
The Contemporary Museum, 2006), 18-22.
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"On the Politics of (Filipino) Youth Culture," in Positively
No Filipinos Allowed: Building Communities and Discourse,
edited by Antonio Tiongson, Ric Gutierrez and Ed Gutierrez
(Philadelphia: Temple University Press, 2006), 111-123.
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"Theaters of Operation: Theorizing Filipino American
Performance, National Identity and Community," in Towards
a Cultural Community: Identity, Education and Stewardship
in Filipino American Performing Arts, edited by
Reme A. Grefalda, Lucy M. Burns, and Anna M. Alves (Washington,
D.C.: Firstfruits, 2003), 39-50.
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"Filipino Veterans of World War II on Citizenship and
Political Obligation," in Major Problems in Asian
American History: Documents and Essays, edited
by Lon Kurashige, Alice Yang Murray and Thomas G. Paterson
(New York: Houghton Mifflin, 2003), 304-309.
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"Ermena Marlene Vinluan," in Asian American Playwrights:
A Bio-Bibliographical Critical Sourcebook, edited
by Miles Xian Liu (Westport: Greenwood Press, 2002),
340-346.
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"'unashamed to be so beautiful': An Interview with
Celine Salazar Parreñas," in Countervisions: Asian
American Film Criticism, edited by Sandra Liu and
Darrell Hamamoto (Philadelphia: Temple University Press,
2000), 263-274.
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"This Music is America," in Fil-Am: The Filipino
American Experience, edited by Alfred A. Yuson
and Eric Gamalinda (Manila: Publico, 1999), 166-168.
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"The Day the Dancers Stayed: Expressive Forms of Culture
in the United States," in Filipino Americans: Transformations
and Identities, edited by Maria P. P. Root (Thousand
Oaks: Sage Publications, 1997), 163-182.
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"Filipinos?" in Memories of Overdevelopment: Philippine
Diaspora in Contemporary Art, edited by Catherine
Lord (Winnipeg: Plug-In Editions, 1997), 50-81.
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